1 – 30 October, 2016
The opening of the exhibition A Visit from Ghosts will take place on Saturday, October 1, at 19:00. On Sunday, October 2, at 15:00 a curator-led tour will be hold.
The exhibition A Visit from Ghosts not only poses a question of what we are to remember, but also of the ways of telling history with visual or other artistic means. Because ghosts are not just images or phantoms, they are sets of meanings that remind us of past traumas and always take new forms of expression.
Thematically the exhibition covers contemporary Ukrainian history: war, hate crimes, decommunization controversies. Besides, A Visit from Ghosts extends the understanding of these issues by referring to earlier European phenomena – fascism, anti-Semitism, oppressive aspects of East German socialism, etc.
The exhibition participants focus on the feeling of anxious expectation – they are showing, how it can be interrupted. They organize the exhibition space as full of noises and images, stories and experiences. Exactly in such situation the work of memory and outworking of the painful past are being activated.
The exhibition is supported by The Federal Agency for Civic Education (Bundeszentrale für politische Bildung, Germany) within the framework of the international conference Contested Memories of the Difficult Past. Eastern Europe and Its History of the 20th Century, devoted to victimization and responsibility, covering the conflicted historical narratives, as well as the influence of diaspora on manifestations of historical memory in post-socialist countries.
Curated by Kateryna Mishchenko
Artists: Piotr Armianovski, Anatoliy Belov, Oksana Briukhovetska, Peggy Buth, Eiko Grimberg, Die Tödliche Doris, Angelina Kariakina, Dmytro Levytskyi, Mykola Ridnyi, Serhiy Popov, Sandra Schubert, Mikhail Tolmachev.
Display: Katharina Köhler, Wolfgang Schwärzler
Opening hours: Tue – Fri: 14:00 – 20:00, Sat – Sun: 12:00 – 20:00, Mon – closed.
Events taking place during the exhibition:
October 7, 19:00. Oleksiy Radynski: Landslide (2016), film screening and discussion
October 9, 12:00. Anatoliy Belov: Spectrous Scissors, workshop for children
October 21, 19:00. Nikita Kadan: History in Hell, artist talk
October 22, 14:00. Piotr Armianovski, Dmytro Levytskyi: The Beilis Case, performance-tour around Podil area
October 29, 21:00. Curator-led night-tour
October 29, 23:00. The Night with the Ghosts, discussion
Admission is free.
Supported by Bundeszentrale für politische Bildung
ERSTE Stiftung та Charles Stewart Mott Foundation
Friday, 23 September 2016, 19:00
Recent social movements in France have once again revealed the following: in today’s French society precarity is as much at issue, as the matters of labor. It touches millions of workers, regardless of their membership in trade unions, as well as pupils, students, and, most of all, the unemployed. What we call “institutionalization of precarity” does exist. This means that exclusion and marginalization are not the only threats to social integrity. There is also the so called “destabilization of the sustainable,” that threatens those parts of the society, based on the values of social cohesion, solidarity, and redistribution. Such social vulnerability contributes to the growth of violence. It manifests itself, at work in particular, as moral or sexual harassment, racism, anti-Semitism, discrimination, and islamophobia. At this double frontline – social and ethno-racial – current protests find their basis.
The lecture is the first of the course “City – Discrimination, Segregation, Integration – French Experience”, developed by the French Institute in Ukraine, exploring these issues from historical, sociological, and demographic perspectives.
Michel Kokoreff (b. 1959) is a professor of sociology at Paris 8 Vincennes-Saint- Denis University, deputy director of the Center for Sociological and Political Research in Paris (CRESPPA). Since 20 years he has been working on the issues of social and political transformations of poor suburban French neighborhoods. He is the author of the books “Les mondes de la drogue” (Odile Jacob, 2000, in collaboration with Dominique Duprez), “La force des quartiers. De la délinquance à l’engagement politique” (Payot, 2003), “Sociologie des émeutes” (Payot, 2008), and “Refaire la cité. L’avenir des banlieues” (La République/Seuil, 2013, in collaboration with Didier Lapeyronnie).
In 2015 the course Migrations, Identities, Territories, developed by the French Institute, took place in Visual Culture Research Center as part of the “School of the Displaced” of The School of Kyiv – Kyiv Biennial 2015.
Working language: French with consecutive translation into Ukrainian.
Organized by The French Institute in Ukraine
Supported by ERSTE Stiftung та Charles Stewart Mott Foundation
September 7 – 25
Open hours: Tuesday – Sunday, 13:00 – 20:00. Monday – closed. Admission is free.
Political, or natural, catastrophes, war, poverty, desire for a better life, make people leave their homes and set off into the open sea towards alien shores. Such trip is always risky: its success is incidental – it depends on fate, and, even more so, on support from other people. On August 16 amidst luxurious restaurants and floating hotels a life raft called Crimea floated off from the quay of the Dnipro river in Kyiv. The artist Maria Kulikovska, a former resident of Crimea, lived on the raft. Maria stayed there without any resources, only supported by what passersby shared with her.
On the 19th of August The Raft Crimea put off the capital’s quay and began its Odyssey. Thanks to continuous care, attention, kindness, and generosity of random people, the crew of the Raft reached the Danube mouth.
On Ukrainian-Romanian border the Raft was stopped by the officers of State Border Guard Service of Ukraine. The Raft crew was briefly detained by the Service.
The Raft Crimea’s short return to Kyiv will be followed by its continuous journey along the rivers of Ukraine and Europe, integrating people, met on its way, into the community of solidarity and mutual support.
Exhibition The Raft Crimea. Trumps of Doom is a story about the journey to the unknown, a story about secrets and mysteries, discoveries, found treasures, unpredictability of fate, and human kindness. This story is dedicated to the bravery of all migrants and the displaced, who are intentionally, or constrainedly, heading towards foreign shores to begin a new life, as well as to all those with an open heart, ready to care about the others.
Curator – Lesia Kulchynska.
The Migrant Parliament of the Displaced: The Raft Crimea is a performance by Maria Kulikovska aimed at reminding us about the vulnerability and helplessness of those, who lost their homes, and calling for solidarity with them. The Raft Crimea is a platform for discussing problems of the displaced and common search for their solutions. It will appear at the esplanades of different cities to indicate the place for a new meeting and assembly by its presence. Thousands of people, who are deprived of their homes, seeking for better life, safety, or simply a possibility of survival, are moving today on boats and rafts to the shores, where no one is neither waiting for them, nor wants to see them. The vast population of the new republic, which is not marked on the map, is drifting on the waves: the phantom republic of migrants. Anyone can become its citizen one day. The Crimea life raft will become its embassy, a displaced parliament for all of those who are devoid of place and political representation.The Migrant Parliament of the Displaced: The Raft Crimea performance is part of the School of Political Performance, collaborative project by Maria Kulikovska and VCRC, and belongs to the parallel program of Sentsov’s Camera exhibition at Leipzig Museum for Contemporary Art.
Maria Kulikovska is a Ukrainian artist and actionist, born in Kerch city in Crimea. She graduated from the National Academy of Fine Art and Architecture in Kyiv. Maria is the author of numerous performances, actions and happenings: War and Pea$e(Mariupol, 2016), 9th of May (solo exhibition; London, 2016), 1 May (London, 2016),Happy Birthday (London, 2016), Patience?, #Onvacation (Venice Biennale, 2015),White (2015), Untitled (2014), 254 (2014) are among them.
The School of Political Performance will kick off with its first course on September 5, 2016, becoming a permanent platform for common creation and exchange of experience. Open lectures will be combined with practical exercises, seminars, intensive workshops, collective actions and performances by the participants and lecturers of the school. The students of the School are to form a group of rapid political responsiveness by conducting a series of projects in the public space.
NGO «Crimea SOS», NGO «Vostok SOS Charitable Foundation», «Crimean prisoners» support group The Solidarity Committee.
Art Represent gallery, London, 32 Vozdvizhenka Arts House, Kyiv
Co-funded by «Krytyka Polityczna» («Political Critique») within Connected Action for the Commons program of European Cultural Foundation
Media partners: Ukraine Crisis Media Center, Krym. Realii
August 16 – 24, 2016
Visual Culture Research Center and Political Critique invite you to the performance action «The Migrant Parliament of the Displaced: The Raft Crimea» by Maria Kulikovska, starting on Tuesday, August 16 at 10.00 at the Kyiv quay of the Dnipro river between the River Station and the pedestrian bridge to Trukhaniv island.
Crimea is a migrating peninsula, where one can migrate, not making any movement: the territory under one’s feet is migrating. One can fall asleep at home and wake up at the very same place, but in another country. In 2014, the whole population of Crimea migrated from one state to another overnight without making a single step.
On August 16 to 19 the migrating «Crimea» will appear in Kyiv for a while: amidst luxurious restaurants and yachts a life raft with a neon signboard will float off from the quay of Dnipro in Kyiv. The artist Maria Kulikovska, a citizen of the Autonomous Republic of Crimea, presently a «displaced person», will stay on the raft. Maria will live there without any resources, only supported by Kyiv residents. Making her survival dependent on other people’s contributions, Maria highlights the vulnerability of those who had lost their homes, and calls for solidarity with them.
The raft «Crimea» will become a live spot on the map, marking a meeting point. With its inhabitant on board, the raft is welcoming all the displaced people, who need help, to come and voice their problems and needs. Everyone who is ready to help or to listen are also welcome. This place is destined to become a platform for discussing the urgent problems of the displaced and searching collectively for solutions.
On Friday, August 19 at 10.00 Maria and those, who would like to join her on board, will start drifting down the Dnipro river on the «Crimea» raft, in order to cross on August 24 the EU border, and to continue their journey on the rivers of Europe. The raft will moor at harbors of different cities, marking every time by its presence a place for a new meeting, to convoke local gatherings of migrants and the displaced.
The raft «Crimea» is both, an artwork and a real political proposal. Water routes have always defined the development of states. Thousands of people, who are deprived of their homes, seeking for better life, safety, or simply a possibility of survival, are moving today on boats and rafts to the shores, where no one is neither waiting for them, nor wants to see them. The vast population of the new republic, which is not marked on the map, is drifting on the waves: the phantom republic of migrants. Anyone can become its citizen one day. The «Crimea» life raft will become its embassy, a displaced parliament for all of those who are devoid of place and political representation.
«The Migrant Parliament of the Displaced: The Raft Crimea» performance is part of the collaborative project The School of Political Performance by Maria Kulikovska and the VCRC, and belongs to the parallel program of Sentsov’s Camera exhibition at the Leipzig Museum for Contemporary Art.
Starting from August 16, Maria Kulikovska will distribute her radio-diary from the raft «Crimea» on the «Old fashioned radio» station (ofr.fm) at 23.00 o’clock.
In September 2016 Visual Culture Research Center will open its doors to present a documenting exhibition of the performance.
Maria Kulikovska is a Ukrainian artist and actionist, born in Kerch city in Crimea. She graduated from the National Academy of Fine Art and Architecture in Kyiv. Maria is the author of numerous performances, actions and happenings: War and Pea$e (Mariupol, 2016), 9th of May (solo exhibition; London, 2016), 1 May (London, 2016), Happy Birthday (London, 2016), Patience?, #Onvacation (Venice Biennale, 2015), White (2015), Untitled (2014), 254 (2014) are among them.
The School of Political Performance will kick off with its first course on September 5, 2016, becoming a permanent platform for common creation and exchange of experience. Open lectures will be combined with practical exercises, seminars, intensive workshops, collective actions and performances by the participants and lecturers of the school. The students of the School are to form a rapid political action team, that will conduct a series of projects in the public space.
Organizers: Visual Culture Research Center, The School of Political Performance initiative.
Co-funded by «Krytyka Polityczna» («Political Critique») within Connected Action for the Commons program of European Cultural Foundation.
Partners: NGO «Crimea SOS», NGO «Vostok SOS Charitable Foundation», «Crimean prisoners» support group The Solidarity Committee.
Hromadske, Goethe-Institut in Ukraine
Kiev Racing Yacht Сlub, «Vozdvizhenka Arts House» gallery
«Art Represent» gallery, «Port Creative Hub» project, «Without Borders» project
Media partners: Hromadske, Political Critique, Cultprostir
Old fashioned radio, Hromadske radio
Polish daily online newspaper «Dzennik Opinii», «Political Critique» magazine on culture and politics.
+38 (067) 6695457 Ganna Tsyba
+38 (063) 9535143 Natalka Neshevets
+38 (093) 0400548 Lesia Kulchinska
August 13 – 28, 2016
Visual Culture Research Center and Political Critique invite you to the exhibition “Olympiada-84”, starting on Saturday, August 13 at 19:00 at the Visual Culture Research Center and will last until August 28.
During its history sport has never been “just sport”. Instead, it was some sort of a biopolitical “religion” of victory and records, closely intertwined with global economy and politics.
UEFA European Championship, the FIFA World Cup, the summer and winter Olympic Games were long ago turned into events that fundamentally change the infrastructure, landscape, and even the ecology of the cities they are held at. Countries and cities are ready to overspend their own resources just to have the right to host them.
At the same time, mass sports competitions have always been a powerful instrument for shaping collective identities: there is hardly anything that can create such feeling of emotional unity as rooting for “our guys” or, even more, against “the others”, especially during such collective rituals as ‚waves’ rolling through the stadium, or football chants.
All this together poses questions: could the Winter Olympic Games in 1984 have changed something, if they were held in Donetsk? Would have this improved the socio-economical development of the region? Could’ve it influenced the regional identity of Donbass, or would it become the reason for its inclusion to the “nationwide” identity? Finally, could’ve it changed anything in the context of the current war in Eastern Ukraine? Of course, history does not recognize the potential mood, and the imaginary space, fantasies, myths, fake memories, even games are usually regarded as accessory and casual. Putting above the “real historical facts”, we tend to not notice how events, which never became a part of the official history, can influence our present.
Without any doubt, the need to experience in 2016 the “never experienced” 1984 Olympics is symptomatic, and indicates the unconscious yearning for fixing “the mistakes of the past”. Hence the «Olympics-1984 in Donetsk» attempts to think them through working with personal stories of migrants from Eastern Ukraine — of those, whose identity is connected with the collective identity of Donbass. It seeks to understand why, to a certain extent, it was excluded from the “nationwide” identity through the pivotal political and social processes of the 80s on the way to the present political situation in Ukraine.
When and where: Saturday, 18 August, 2016, 20.00 at PostPlay Theatre (31, Nyzhnoiurkivska Str.)
Based on personal stories of three internally displaced migrants from the Donbass region, the idea of the play with their participation was to confront the official (documented) history, and the personal (oral) stories of certain people, discovering their essential incommensurability. In such context, stories about details, sensations, private rituals and feelings become in a way the opposition of the official history’s pathos, and the state machine producing it.
“Without Armour” play
When and where: Saturday, 27 August, 2016, 20.00 at PostPlay Theatre (31, Nyzhnoiurkivska Str.)
The performance is created upon a personal story and with the assistance of an ATO combatant. Its problematics can be outlined, perhaps, by his own commentary:
“We, the fighters, have a huge problem with self-identification. Who am I now? Am I a soldier or an ex-soldier? Am I the victor or the defeated? — It is not known. It’s impossible to give an unambiguous answer to any of these questions. Am I a military? — Yes, because I have served, and I will do it again, if needed. Am I a winner? — I definitely had a victory over myself. I obtained Ukraine within myself. I’m the winner in this particular aspect. But the society is looking at me with incomprehension: on the one hand, we waited for the victory from you so much, and you didn’t hand it. Or, maybe, on the other hand, I’m the defeated? — Who knows, I was broken and demoralized…”
Tours through M.M.Gryshko National Botanic Garden by Vitalii Kukhar
When and where: 14 and 28 of August, 14.00 at the Botanic Garden
Vitalii Kukhar, who is a migrant, works in the National Botanic Garden as a general labourer, but his main area of responsibility is the rosegarden. Vitalii spends most of his time in the garden, his days off are Saturday and Sunday. He is interested in the history of plants, their uses, the places these species were brought from. The garden becomes from time to time a place, where Vitalii meets his friends and acquaintances, including other migrants, to whom he tells his stories, which intertwine with the history of the garden.
When and where: Wednesday, 24 August 2016, 14.00 at the “Start” stadium
Not being exclusively restricted by the “adult history” of the 80s, the “Olympics-84” project aims to stage the games that were popular amongst children and teenagers of that time, engaging into the circle of experts the representatives of generations whose childhood was in the 70s and the 80s. We invite all children of 6 to 14 years old to participate in order to try out and assess the entertainment of the times of their parents’ childhood.
Anton Liagusha, «The imaginary Donbass of the 1984 Olympics time: historical tropology, the Soviet feudalism and alienation.» When and where: Sunday, August 14, 19.00 at Visual Culture Research Center.
Kyrylo Tkachenko, «Enthusiasm and disappointment: Donbass miner’s movement from 1988 to 1993.» When and where: Friday, August 19, 19.00 at Visual Culture Research Center.
Danylo Sudyn, «Donetsk citizens’ identities — from Ukraine’s independence declaration to the occupation.» When and where: Saturday, August 20, 19.00 at Visual Culture Research Center.
Oleksii Karachynskyi, «Existential problems caused by the conditions of forced migration and military action.» When and where: Sunday, August 21, 19.00 at Visual Culture Research Center.
Anna Kravets. Visual laboratory. «Olympia: the festival of the cult of body and the Germany’s triumphal springboard on the eve of World War II,» and the screening of Leni Riefenstahl’s «Olympia. Festival of Nations» (1938). When and where: Thursday, August 25, 19.00 at Visual Culture Research Center.
Ruslana Kozienko, «Cultural trauma and the politics of memory: on the edge of the personal and the official.» When and where: Friday, August 26, 19.00 at Visual Culture Research Center.
Taras Liutyi, «Mass sports games and the power.» When and where: Sunday, August 28, 19.00 at Visual Culture Research Center.
Admission is free.
Authors of the project: «Olympics-84» Initiative (Dmytro Levytsky, Yelyzaveta Oliynyk, Piotr Armianovsky, Lesya Berezdetska, Ruslana Kozienko, Oleksandr Burlaka).
«Olympics-84» project is part of CSM / Foundation Center for Contemporary Art and Korydor online magazine «From the First Person: Memory. Voice. Dialogue» program, financed by National Endowment for Democracy (NED).
Автори проекту – ініціатива «Олімпіада-84» (Дмитро Левицький, Єлизавета Олійник, Пьотр Армяновський, Леся Берездецька, Козієнко Руслана, Олександр Бурлака).
Проект є частиною програми CSM / Фундації Центр Сучасного Мистецтва і онлайн-журналу Korydor «Від першої особи: Пам’ять. Голос. Діалог», профінансованої National Endowment for Democracy (NED).
Organizers: «Olympics-84» Initiative, Visual Culture Research Center
Partners: CSM / Foundation Center for Contemporary Art, Korydor magazine
National Endowment for Democracy (NED)
Інформаційні партнери: Політична критика, Cultprostir.ua, Український кризовий медіа центр
+380639535143 Natalka Neshevets
+380676695457 Ganna Cyba
+380933911525 Ruslana Kozienko
Thursday, 21 July 2016, 20:00
Should we be worried about pervasive Internet surveillance? Do we want to rebuild privacy for your online communications? At the informal practical workshop from CryptoClasses, taking place on July 21 at Visual Culture Research Center, you will learn why you need this and how to do it. CryptoParty will help you develop basic skills in the usage of encrypting technologies, sending private messages to your friends, and putting the electronic signature without the threat of it being intercepted, or read by unauthorized individuals.
The class will be given by eQualit.ie with over a decade experience teaching activists around the world digital security basics and authors of numerous self-learning guides.
Working language – English. Please, bring your laptop and smart phone to the party.
The party will take place within the framework of research workshop On-line Media as a Tool for Grassroots Politics, co-organized by Visual Culture Research Center and Political Critique.
Admission is free
Those interested in supporting future CryptoClass events are invited to come and discuss possibilities.
DSS380 is a permanent school of digital security for advocates, civil activists, NGO representatives, and media in Ukraine.
eQualit.ie develops open and reusable systems with a focus on privacy, online security, and information management. Our goal is to create accessible technology and improve the skill set needed for defending human rights and freedoms in the digital age.
Organizers: eQualit.ie та DSS380
Photo: Miron Zownir. Bakhchysarai, 2013.
15.07. – 6.11.2016
In May 2014, the Crimean film director Oleg Sentsov was abducted by the security services of the Russian Federation. He was later arrested, accused of being the organiser of a terrorist group. After a show trial, the artist was sentenced to 20 years in a penal colony, and taken to Yakutia.
The exhibition Sentsov’s Camera takes us back to these events. In essay form, it tells of how conflicts become inscribed in spaces, and how the inhabitants of these spaces suddenly feel that they are prisoners. The story goes beyond Crimea and the Ukrainian borders to other landscapes such as the Isle of Rügen in Germany or the Solovetsky Islands in Russia. Isolation, repressions, militaristic pathos – all of these things shape the history of these places and the biography of the people who are deprived of their freedom. Their home is transformed into a lonely chamber.
In this chamber, the individual is confronted with the blame that has been assigned to him, and with his own self. At the same time he searches for possibilities to break through the enforced silence, to find a new way of articulating.
Sentsov’s Camera is a space for stories and pictures that have to be told and shown. It is also a lens that reveals the internal conflicts of the narrators. The viewer also recognises himself there. Sentsov’s Camera draws places and events closer, giving us the opportunity to adopt a position of our own and to show solidarity.
Vitalii Atanasov, Günter Brus, Angelina Kariakina, Ksenia Marchenko, Marcel Noack, Diana Poladova, Oleksiy Radynski, Mykola Ridnyi, Sandra Schubert, Mikhail Tolmachev, Ivanna Yakovyna, Artur Żmijewski, Miron Zownir.
Curated by Kateryna Mishchenko
In cooperation with DOK Leipzig and Visual Culture Research Center Kyiv
Within the exhibition’s framework Visual Culture Research Center will organize parallel program in Kyiv.
Sunday, 19 June 2016, 19:00
The first Petr Pavlensky’s talk out of prison
The first public talk out of prison – Needs – will be given by Petr Pavlensky in Ukraine, where he was invited by Hromadske.
Russian artist was released on June 8 as a result of a trial for setting the door of central administration of Russian Federal Security Service on fire. Pavlensky turned his proceedings into a performance making the repressive apparatus work for art.
In his first TV interview out of prison Pavlensky said: “Being in custody, I saw a lot of dignity among prisoners, but also how law enforcement system tries to discipline people working out the habit to obey orders, and they are being disciplined, namely, by needs. This is very important.”
Moderated by Natalia Gumenyuk
Petr Pavlensky is Russian performance artist, author of radical actions in public space. He is an editor of Political Propaganda magazine and publishing house. Lives and works in Saint Petersburg. In February 2014 as part of his Freedom, action dedicated to Ukrainian Revolution of Dignity, Pavlensky reproduced Maidan in Saint Petersburg. In November 2015 he made his Threat performance by setting the door of central administration of Russian Federal Security Service on fire. During the trial he asked to classify his case as “terrorism” to be associated with Crimean political prisoners.
The talk will take place on June 19 at 19:00 in Visual Culture Research Center.
Admission is free
Partners: Visual Culture Research Center
+38 (067) 505-67-40
+38 (067) 505-67-59
Visual Culture Research Center
Kyiv, 44 Hlybochytska Street, 1 floor
+38 (067) 669-54-57 Ganna Tsyba
+38 (063) 953-51-43 Natalka Neshevets
Saturday, 28 May 2016, 14:00
30/34 Petrivska Street
Visual Culture Research Center and Political Critique invite you to the festival of urban self-organization and creativity DIYstvo 2016, taking place on Saturday, May 28 in the territory of a forest and garage co-op at the address 30/34 Petrivska Street.
Taking place annually since 2009, DIYstvo festival engages the most interesting grassroots and activist initiatives from the spheres of urban development, handicraft, printing, and music, as well as other self-organized communities. “Do-it-yourself” is a call for moving beyond the exchange relationships logic and establishing social ties that are basic for mutual help and support. D.I.Y. festivals strive for becoming places of formation and development of self-organized communities, which can solve numerous local, especially urban, problems. This year’s programme involves site-specific work, presentation of local D.I.Y. brands, music, and a series of workshops.
The participative construction UFO DIY project will be conducted for two weeks by Pylorama collective. Its aim is to provide direct access from Lvivska Square to Hlybochytska Sreet, build wooden platforms and stage for studying and relaxation;
Waste sorting and utilization workshop will take place simultaneously with the construction;
Juridical workshop on basic civil rights and communication with law enforcement will take place on the rebuilt festival territory;
At DIY-Print workshop participants will learn different types of hand printing, attend artist’s master classes and exhibition of their latest works;
And on May 26 a co-founder of Pylorama collective Dana Kosmina will deliver a lecture Emergency Architecture as a Response to Destructive Environment and demonstrate basic elements of emergency dwelling.
UFO DIY project – a workshop by Pylorama collective; forest cleaning and ecological workshop on waste sorting
May 26, 19:00
Dana Kosmina. Emergency Architecture as a Response to Destructive Environment, Visual Culture Research Center (44 Hlybochytska Street, 1 floor)
12:00 Final forest cleaning
14:00 Festival opening
At Pink Whale’s market: local brands and hand-made products, food and drinks
Live workshops by garage co-op
Drawing playground for children
Experimental and artistic printing section
Exhibition of printed works
16:00-22:00 Punk stage
Predsmertnaya Kadril (Kyiv)
Force events! (Mohyliv)
Dity Velykoho Mista (Kyiv)
The Forest Trip (Kyiv)
18:00-22:00 Beat stage
Tenio & Friends
Admission and participation are free
Organizers of the festival:
+380676695457 Ganna Tsyba
+380639535143 Natalka Neshevets
Thursday, 26 May 2016, 19:00
Lecture by Dana Kosmina
Emergency Architecture as a Response to Destructive Environment
Visual Culture Research Center and Political Critique invite you to the lecture by Dana Kosmina, taking place on Thursday, May 26, at 19:00.
The lecture is going to explore local communities, which influence urban processes through micro-architectonic interventions. Participants will learn what “depressive environment” is, who the “passive warriors” are, how much the “tactical urbanism” costs, which methods of “field work” exist, etc. Dana will give a brief analysis of her own and other international projects. Besides theoretical lecture, a joint practical workshop with participation of garage co-op community will be taking place for two weeks.
Dana Kosmina is a cofounder of Pylorama collective, artist and architect. She is a member of Children’s Geographies initiative. She works at Forma Architectural Studio in Kyiv.
DIYstvo is an annual festival of urban self-organization and creativity, taking place on May 26-28, 2016 in Kyiv. The festival aspires to the development of the D.I.Y.-movement and its expansion to other Ukrainian cities. It engages the most interesting grassroots and activist initiatives from the spheres of urban development, handicraft, printing, and music, as well as other self-organized communities. On the programme: urban workshops, site-specific work, silk-screen printing workshops, local D.I.Y.-brands, music. The festival has been taking place since 2009.
Admission is free
+380676695457 Ganna Tsyba
+380639535143 Natalka Neshevets