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\u0427\u043e\u0440\u043d\u0430 \u0445\u043c\u0430\u0440\u0430 \u2013 \u041a\u0438\u0457\u0432\u0441\u044c\u043a\u0430 \u0431\u0456\u0454\u043d\u0430\u043b\u0435 2019<\/strong><\/p>\n blackcloud.info<\/a><\/p>\n Download PDF booklet<\/a><\/p>\n Artificial intelligence, big data and Europe after Chernobyl: the program highlights of the Kyiv Biennial<\/strong><\/p>\n Black Cloud \u2013 Kyiv Biennial 2019 will present a series of art projects and educational events focusing on the political and social role of modern technology. The main locations of the Biennial will be KPI Library and the House of Cinema.<\/p>\n Black Cloud, the third Kyiv Biennial of contemporary art, knowledge and politics organized by the Visual Culture Research Center, will take place on October 11 \u2013 November 23, 2019. The goal of the Kyiv Biennial 2019 is to reflect on social and political transformations in Eastern Europe over the past three decades, influenced by the Chernobyl catastrophe, the collapse of the Soviet Union, and the development of information and communications technology.<\/p>\n The Biennial\u2019s program will incorporate an exhibition presenting the works of artists from Ukraine, Germany, Great Britain, India, Canada and other countries, as well as a public program featuring international researchers, scholars and activists. The exhibition will take place in KPI Library \u2013 a unique architectural masterpiece of the Soviet modernism which will become one of the locations of this year\u2019s Kyiv Biennial. The events of the public program will also be held in the House of Cinema.<\/p>\n The Black Cloud exhibition will unite artists working with the topics of mass communication, artificial intelligence, environment and the Chernobyl catastrophe. In particular, it will feature a well-known installation \u201cThe Glass Room\u201d by Tactical Tech collective, illustrating the mechanisms of personal data collection and the problem of privacy on the internet. A number of works will explore the liaisons between technology, politics and environment. For example, Susan Schuppli\u2019s installation \u201cDelay Decay\u201d shows cover pages of the Pravda newspaper published in the 20-day gap between the Chernobyl nuclear accident and its public disclosure by the government, drawing parallels between radioactive threat and media manipulations. Other works question the anthropocentric perspective and address non-human life forms, such as Emilio Vavarella\u2019s film composed of video fragments shot by animals.<\/p>\n The public program of the Kyiv Biennial 2019 will include around 15 lectures, presentations and panel discussions. For instance, international symposium \u201cCommunicative Militarism\u201d focused on the phenomenon of cyberwar will take place on October 17-18, followed by a discussion on October 26-27 with Ukrainian experts and activists on how data is generated, used and protected online. A part of the public program called \u201cMiddle East Europe\u201d will address contemporary historical conditions and ideological divisions in the countries of Eastern Europe and the Middle East that have become the battlefield for new authoritarianism and right-wing populism. It will consist of a series of lectures by the renowned philosophers, historians and political scientists, such as Genevi\u00e8ve Fraisse, Philipp Ther, Jan-Werner M\u00fcller, Sandro Mezzadra, Claus Offe, among others.<\/p>\n In 2019, Kyiv Biennial became part of the newly established East Europe Biennial Alliance, which also includes Biennale Matter of Art in Prague, Biennale Warszawa and OFF-Biennale Budapest.<\/p>\n Featured participants of the Kyiv Biennial 2019 include: Isabelle Alfonsi (France), Clemens Apprich (Germany), Arab Media Lab (Morocco), Keti Chukhrov (Russia), Genevi\u00e8ve Fraisse (France), Georgiy Kasianov (Ukraine), Oleksandr Kupnyi (Ukraine), Geert Lovink (Netherlands), Oliver Marchart (Austria), Svitlana Matviyenko (Canada), Sandro Mezzadra (Italy), Jan-Werner M\u00fcller (Germany\/USA), Claus Offe (Germany), Niels ten Oever (Denmark), Nelly Pinkrah (Germany), Oleksiy Radynski (Ukraine), Raqs Media Collective (India), Kirill Savchenkov (Russia), Susan Schuppli (Great Britain), Tactical Tech (Germany), Aleksei Taruts (Russia), Philipp Ther (Austria), Emilio Vavarella (Italy), et al.<\/p>\n PROGRAM<\/p>\n October 11, Friday, 19:00 \u2013 KPI Library October 12, Saturday, 18:00 \u2013 KPI Library October 12, Saturday, 19:00 \u2013 KPI Library, Auditorium 6.5 October 13, Sunday, 19:00 \u2013 The House of Cinema, Blue hall October 17-18, Thursday-Friday, 18:30 \u2013 KPI Library, Auditorium 6.5 October 19, Saturday, 19:00 \u2013 KPI Library, Auditorium 6.5 October 24, Thursday, 19:00 \u2013 The House of Cinema, Blue hall October 25, Friday, 19:00 \u2013 The House of Cinema, Blue hall October 26, Saturday, 14:00 \u2013 KPI Library, Auditorium 6.5 October 29, Tuesday, 19:00 \u2013 The House of Cinema, Blue hall November 2, Saturday, 19:00 \u2013 The House of Cinema, Blue hall November 15, Friday, 19:00 \u2013 The House of Cinema, Blue hall November 16, Saturday, 16:00 \u2013 The House of Cinema, Blue hall November 17, Sunday, 19:00 \u2013 The House of Cinema, Blue hall November 17-18, Sunday, 17:00, Monday, 19:00 \u2013 Metaculture November 19, Tuesday, 19:00 \u2013 The House of Cinema, Blue hall November 22, Friday, 19:00 \u2013 The House of Cinema, Blue hall Locations: Admission to all events is free of charge.<\/p>\n Institutional Partners: Biennale Praha (Czech Republic), Biennale Warszawa (Poland), European Alternatives (France), Forum Transregionale Studien (Germany), OFF-Biennale Budapest (Hungary), Transeuropa Festival 2019 (Italy), The Scientific and Technical Library of the National Technical University of Ukraine \u201cIgor Sikorsky Kyiv Polytechnic Institute\u201d, Digital Security Lab<\/p>\n With the Support of: ERSTE Foundation, Foundation for Arts Initiatives, Goethe-Institut Kiew, Prince Claus Fund, Ukrainian Cultural Foundation.<\/p>","protected":false},"excerpt":{"rendered":" \u0427\u043e\u0440\u043d\u0430 \u0445\u043c\u0430\u0440\u0430 \u2013 \u041a\u0438\u0457\u0432\u0441\u044c\u043a\u0430 \u0431\u0456\u0454\u043d\u0430\u043b\u0435 2019 blackcloud.info Download PDF booklet Artificial intelligence, big data and Europe after Chernobyl: the program highlights of the Kyiv Biennial Black Cloud \u2013 Kyiv Biennial 2019 will present a series of art projects and educational … Continue reading
\n\u201cBlack Cloud\u201d exhibition opening<\/p>\n
\n\u201c\u0427\u0430\u0441 \u043d\u0435 \u0447\u0443\u0454, \u0430\u043b\u0435 \u0432\u0456\u043d \u0447\u0435\u043a\u0430\u0454 \u043d\u0430 \u043d\u0430\u0441. On the nth Ground of the 6th Ocean: Ocean-Sensing Practices.\u201d Performance by Kirill Savchenkov (Russia)<\/p>\n
\n\u201cThe Deregulation of Representations.\u201d Lecture by Genevi\u00e8ve Fraisse (France)<\/p>\n
\n\u201cArab Stereotypes in Western Media. Hollywood as an Example: From Silent Movies to the Late 90\u2019s and the Beginning of 2000.\u201d Presentation by Abdelaziz Taleb (Arab Media Lab, Morocco)<\/p>\n
\n\u201cCommunicative Militarism.\u201d Symposium curated by Svitlana Matviyenko (Canada)<\/p>\n
\n\u201cHistory and Memory: Use and Abuse (Ukraine and Post-Communist World).\u201d Lecture by Georgiy Kasianov (Ukraine)<\/p>\n
\n\u201cFrom Neoliberalism to Illiberalism. The Great Transformation after 1989.\u201d Lecture by Philipp Ther (Austria)<\/p>\n
\n\u201cQueer Art, Herstories and Emancipatory Strategies.\u201d Talk by Isabelle Alfonsi (France)<\/p>\n
\n\u201c(Toxic) State of Data: Data Politics and Data Policies in Ukraine.\u201d Symposium curated by Digital Security Lab (Ukraine)<\/p>\n
\n\u201cIs there Really a Crisis of Democracy?\u201d Lecture by Jan-Werner M\u00fcller (Germany\/US)<\/p>\n
\n\u201cProliferating Borders in the Battlefield of Migration. Rethinking Freedom of Movement.\u201d Lecture by Sandro Mezzadra (Italy)<\/p>\n
\n\u201cConflictual Aesthetics. Artistic Activism and the Public Sphere.\u201d Lecture by Oliver Marchart (Austria)<\/p>\n
\n\u201cBorderlines in the East of Europe.\u201d Symposium of the \u201cEurope in the Middle East \u2013 The Middle East in Europe\u201d (EUME) research program at the Forum Transregionale Studien (Germany)<\/p>\n
\n\u201cData Sonification.\u201d Seminar and workshop by Daniel Siemaszko (Switzerland)<\/p>\n
\n\u201cOpen Call (For Opinions).\u201d Theatre exhibition by Studio Lajf (Czech Republic \/ Slovakia)<\/p>\n
\n“Philosophy beyond Computation. On Evald Ilyenkov\u2019s Critique of Artificial Intelligence.” Lecture by Keti Chukhrov (Russia)<\/p>\n
\n\u201cTransitioning from State Socialism to Democratic Capitalism. Observations on Ten Construction Sites.\u201d Lecture by Claus Offe (Germany)<\/p>\n
\nThe Scientific and Technical Library of the National Technical University of Ukraine \u201cIgor Sikorsky Kyiv Polytechnic Institute\u201d (37 prospect Peremohy, metro Politekhnichnyi Instytut).
\nThe House of Cinema (6 Saksahanskoho Str., metro Palats Sportu).
\nMetaculture (31 Nyzhnioyurkivska Str., metro Tarasa Shevchenka).<\/p>\n