{"id":3489,"date":"2017-09-24T09:12:20","date_gmt":"2017-09-24T07:12:20","guid":{"rendered":"http:\/\/vcrc.org.ua\/?page_id=3489"},"modified":"2018-04-07T23:06:05","modified_gmt":"2018-04-07T21:06:05","slug":"international","status":"publish","type":"page","link":"https:\/\/vcrc.org.ua\/en\/international\/","title":{"rendered":"International"},"content":{"rendered":"

The Kyiv International<\/em> \u2013 <\/em>Kyiv Biennial 2017<\/em> project aims to explore and reveal the emancipatory potential of the idea of the political International, which emerged in Europe. Today, in the age of structural crisis of global institutions \u2014 when the maintenance of a transnational status quo is constructed from violated borders, peripheral wars, and the emergence of new walls and conflicts \u2014 the idea of cross-border unity and international solidarity is of utmost urgency for the future survival of Europe.<\/p>\n

Ukraine and the countries of the European Union share a great number of challenges and threats today. Ukraine has recently weathered several powerful new experiences: enthusiasm and disappointment at the Maidan revolution, the shock of war, ongoing infractions to established territorial parameters and protection mechanisms, and the mass displacement of people, whilst the EU has experienced increasing flows of refugees, the shrinking of its territory after Brexit, and the rise of far-right populism, becoming a battlefield for new forms of terrorism. The absence of ready-made patterns for dealing with these experiences, discontent with preexisting structures, along with a strong desire and urgent need for change, provide a conduit for an intense intellectual and creative search for the new.<\/p>\n

We are confronted with the most pressing questions of our time by the ongoing war conflicts in Eastern Europe and the Middle East: how to maintain safe, sustainable, free societies when both the state and international mechanisms to do so are currently proving ineffective? What forms could a new and efficient international solidarity take? What kinds of sensibilities, conceptual structures, and pathways for thinking and imagining should we develop? What might the basis for the new International become, and who are its subjects?<\/p>\n

The Kyiv International<\/em> \u2212<\/em> Kyiv Biennial 2017<\/em> will take place in the format of an international forum for art and knowledge, integrating art projects with a number of institutional collaborations to create agoras for debate. Lectures, panel discussions, seminars, and workshops led by well-known historians, philosophers, economists, and practitioners in the cultural sector will converge upon artistic and intellectual pursuits for critical answers to common concerns, while a number of exhibitions will lend an alternative optics to urgent contemporary issues through the medium of the visual arts. A program of free thematic public events will also address the political, social, economic, and historical circumstances in today\u2019s Ukraine and Europe, as well as on a global scale.<\/p>\n

The Kyiv International \u2212 Kyiv Biennial 2017<\/em> will explore different historical forms and contemporary examples of Internationals that took place in the arts, culture, and educational spheres by investigating their methodological and communicative approaches together with their ability to imagine and create new political formats. Major emphasis will be put on the aesthetic and political relevance of modernism today, which carries a high degree of latent potential for thinking and inventing alternative societal projects critically needed worldwide at this moment. Originating in Europe, modernism spread around the globe throughout the 20th<\/sup> century, demonstrating the capability of being local and global at the same time, while still preserving its national particularities, along with the development of its international universality. As an unfinished project open to the future, the modernist heritage within contemporary cultural and political practices can indicate a possible exit strategy from the political deadlock of economic crisis, nationalist populisms, and war.<\/p>\n

The Kyiv International \u2212 Kyiv Biennial 2017<\/em> is meant to function as a translation machine in a political sense \u2013 a vehicle by which to transmit local social practices and political experiences internationally, thereby constructing common tools to work with and build upon. An international political language that can define our new lexicon, map the affects that drive us, and let us express ourselves relevantly while constituting our shared points of interest, remains one of the key issues at stake today. Common European space requires a common European vocabulary to provide a basis and a platform for understanding our varied experiences, and to reflect upon possible solutions to our political problems, without hiding social reality. The Kyiv International<\/em> biennial, as a laboratory of political translation, contributes in this manner to the development of a newly emerging collective subjectivity grounded in democratic internationalism.<\/p>\n

Developing out of the structures and institutional strategies of The School of Kyiv<\/em> \u2212<\/em> Kyiv Biennial 201<\/em>5<\/em>, The Kyiv International<\/em> 2017<\/em> aims to establish collaborations between civil society organizations, cultural centers, art institutions, and academia on an international basis. Realizing the biennial format as a multi-institutional political framework on an international scale, The Kyiv International <\/em>\u2212<\/em> Kyiv Biennial 2017<\/em> will model an institutional International, creating sustainable networks for collaboration and a space for solidarity and support that is sorely missing in the field of politics today.<\/p>\n

 <\/p>\n

Projects:\u00a0<\/strong><\/p>\n

 <\/p>\n

Exhibitions<\/strong><\/p>\n

\u00a0\u00a0\u00a0 \u201cThe Festivities Are Cancelled!\u201d exhibition by Hudrada curatorial group (Ukraine)<\/em><\/p>\n

The exhibition \u201cThe Festivities Are Cancelled!” is dedicated to the memory of revolution and the phenomenon of censorship. The first part of the exhibition will take place in the \u201cUFO\u201d building of the Institute of Scientific, Technical, and Economic Information and features performative statements related to political foresight and the hope for social change. The second part of the exhibition will be in the Pavlo Tychyna Literary-Memorial Museum-Apartment and will continue the prior statements with a talk about Soviet censorship and its traces within current social practices.<\/p>\n

\u00a0 \u00a0 \u00a0\u201cDead Souls\u201d exhibition by Marina Naprushkina (Germany) and Oliver Ressler (Austria)<\/em><\/p>\n

In the \u201cDead Souls\u201d exhibition at Visual Culture Research Center Marina Naprushkina will present the key provisions within EU asylum and migration policy, which often lead to serious economic and social inequalities \u2013 the borders are so sealed, in fact, that asylum seekers are oftentimes hardly able to reach \u201cthe safe shore.\u201d Oliver Ressler will focus on struggles to obtain citizenship while, at the same time, questioning the implicitly exclusionary nature of the concept. He will also investigate the rare case of occupied factories, in which the purpose of these organized struggles is to bring production under workers\u2019 control.<\/p>\n

\u00a0 \u00a0 \u201cMarket\u201d exhibition (curated by Hanna Tsyba, Ukraine)<\/em><\/p>\n

The buildings of Ukrainian indoor markets, constructed in the 1960s\u20131980s, are unique monuments to late modernism. However, these structures are not formally recognized by Ukrainian law and are thus amenable to devastating renovations. The purpose of the \u201cMarket\u201d project is to draw attention to these buildings as newly discovered monuments by exploring the history of their architecture, and by reflecting on the contexts of their creation and existence in the past, present and future. The exhibition will take place at the Kyiv Zhytniy Market, which was constructed in 1980 in the so-called International style.<\/p>\n

\u00a0 \u00a0 \u201cDance, Dance, Dance\u201d exhibition (curated by Serge Klymko, Ukraine)<\/em><\/p>\n

The image of a rave, buried in the late 90s, has recently been resurrected, but this time much farther to the East than East Berlin. Kyiv is proclaimed to be one of its monasteries, having been discovered by Western pilgrims amid a riot, the square, democracy, and all else that lies North of the Wall. The New East, marked by a new politico-poetic formation of freedom and vital energy, has become a sanctuary for those seeking life outside the fortress of the Old World. Tracking down these self-proclaimed \u2018new Berlins,\u2019 the exhibition at BURSA GALLERY takes a look at the post-Soviet dance scene as a luminous symptom of social and political processes.\u00a0<\/em><\/p>\n

 <\/p>\n

Ukrainian Revolutionary Cinema Avant-Garde<\/strong><\/p>\n

(in collaboration with National Oleksandr Dovzhenko Center)<\/p>\n

Histories of the Soviet cinema usually ignore the Soviet Republics and create monolithic and monotheistic images of Soviet poetics and politics. As an alternative to that particular perspective, the case of VUFKU (All-Ukrainian Photo Cinema Administration) provides us with a unique opportunity to reestablish Ukrainian culture of the 1920s in a broader international context. The series of VUFKU films, which consists of \u201cArsenal\u201d (1929) by Oleksandr Dovzhenko, \u201cIn Spring\u201d (1929) by Mikhail Kaufman, \u201cThe Eleventh Year\u201d (1927) by Dzyga Vertov, \u201cSelf-Seeker\u201d (1928) by Mykola Shpykovskyi, and \u201cPerekop\u201d (1929) by Ivan Kavaleridze have not only become some of the best internationally recognized avant-garde films, but are in and of themselves vivid depictions of the revolutionary moment of the 1920s.<\/p>\n

 <\/p>\n

Radio International<\/strong><\/p>\n

By interacting with the audience, Radio International<\/em> will create a platform where different voices are invited to meet and communicate their collective and personal experiences, marked by the themes and discussions taking place at the Kyiv biennial on a national and international scale. As the primary voice medium for the biennial, Radio<\/em> will be spoken in 2-3 working languages; and, as an experimental platform, Radio International<\/em> will host a number of lectures, workshops and performances dedicated to the problems of hearing and speech in today\u2019s world.<\/p>\n

 <\/p>\n

Music Program<\/strong><\/p>\n

This series of experimental music performances will engage local and international artists working at the intersection of several genres, deconstructing acoustic perception and different means of musical production. The program aims to bring together both young and well-known performers in order to showcase a range of sound explorations from free improvisation to programming composition.\u00a0The events will be hosted at the Institute of Scientific, Technical, and Economic Information concert hall \u2013 itself a late modernist masterpiece, built to synthesize acoustic and visual perception in the arts.\u00a0\u00a0<\/strong><\/p>\n

 <\/p>\n

Publication<\/strong><\/p>\n

Guidebook of<\/em> The Kyiv International <\/em>with a collection of texts by historians, political philosophers and artists, some of whom are participants in the Kyiv biennial.<\/p>\n

 <\/p>\n

Locations:<\/strong><\/p>\n

Main Site: Institute of Scientific, Technical and Economic Information (\u201cUFO\u201d, 180 Antonovycha St., metro Lybidska).<\/p>\n

Visual Culture Research Center (44 Hlybochytska St., trams #14, #18 from metro Kontraktova Ploshcha).<\/p>\n

Zhytniy Market (16 Verkhniy Val St., metro Kontraktova Ploshcha).<\/p>\n

BURSA GALLERY (11-B Kostyantynivska St., metro Kontraktova Ploshcha).<\/p>\n

Pavlo Tychyna Literary-Memorial Museum-Apartment (5 Tereshchenkivska St., ap. 1, 3, metro Teatralna).<\/p>\n

Artists\u2019 Studios at 33 Soshenko (33 Soshenko St., trolley bus #18 from metro Maidan Nezalezhnosti).<\/p>\n

 <\/p>\n

Program:<\/strong><\/p>\n

October 20, Friday, 19:00<\/em><\/strong><\/p>\n

Opening of \u201cFestivities Are Cancelled!\u201d exhibition by Hudrada curatorial group (Ukraine).<\/p>\n

October 20, Friday, 20:00<\/em><\/strong><\/p>\n

\u201cTO GO VISITING \u2013 an agitka by Philip Rizk\u201d (Egypt) lecture performance (in collaboration with DAAD Artists-in-Berlin Program, Germany).<\/p>\n

October 21, Saturday, 19:00<\/em><\/strong><\/p>\n

Opening of \u201cDead Souls\u201d exhibition by Marina Naprushkina (Germany) and Oliver Ressler (Austria) and presentation of \u201cRefugees’ Library\u201d project and the Moabit New Neighborhoods initiative by Marina Naprushkina \u2013 Visual Culture Research Center.<\/p>\n

October 22, Sunday, 16:00<\/em><\/strong><\/p>\n

\u201cCeremony\u201d talk and screening by Phil Collins (Germany) (in collaboration with DAAD Artists-in-Berlin Program, Germany).<\/p>\n

October 22, Sunday, 20<\/em><\/strong>:<\/em><\/strong>0<\/em><\/strong>0<\/em><\/strong><\/p>\n

Dispersive Light (Kyiv), Flying Super Pension (Chernigiv), Mal\u00e4d (Kyiv), Nakateem (Moscow) live performance.<\/p>\n

October 25, Wednesday, 18:00<\/em><\/strong><\/p>\n

Opening of \u201cFestivities Are Cancelled!\u201d exhibition by Hudrada curatorial group (Ukraine) \u2013 Pavlo Tychyna Literary-Memorial Museum-Apartment.<\/p>\n

October 26, Thursday, 19:00<\/em><\/strong><\/p>\n

Film Screening of \u201cArsenal\u201d (1928) by Oleksandr Dovzhenko within the \u201cUkrainian Revolutionary Cinema Avant-Garde\u201d series.<\/p>\n

October 2<\/em><\/strong>7<\/em><\/strong>, Friday, 19:00<\/em><\/strong><\/p>\n

Opening of \u201cMarket\u201d exhibition (curated by Hanna Tsyba, Ukraine) \u2013 Zhytniy Market.<\/p>\n

October 28, Saturday, 19:00<\/em><\/strong><\/p>\n

\u201cVoice and the Traces of Time\u201d lecture by Oksana Bulgakova (Germany).<\/p>\n

October<\/em><\/strong> 29, <\/em><\/strong>Sunday, 19:00<\/em><\/strong><\/p>\n

\u201cArt Censorship and Resistance Experiences in Turkey Under the State of Emergency\u201d\u00a0talk by Asena G\u00fcnal and \u00d6zlem Altunok (Turkey) (in collaboration with Depo Istanbul, Turkey).<\/p>\n

November 1, Wednesday, 19:00<\/em><\/strong><\/p>\n

Presentation of \u201cKrytyka Polityczna Athens\u201d:\u00a0Universitas<\/em>\u00a0by\u00a0Katja Ehrhardt (AthenSYN) and\u00a0The School of Everything<\/em>\u00a0by Joulia Strauss (Avtonomi Akadimia) (Greece\/Germany).<\/p>\n

November 1, Wednesday, 20:00<\/em><\/strong><\/p>\n

\u201cIn Memoriam Zygmunt Bauman\u201d by Marta Madej (Germany).<\/p>\n

November 2, Thursday, 19:00<\/em><\/strong><\/p>\n

Film Screening of \u201cIn Spring\u201d (1929) by Mikhail Kaufman within the \u201cUkrainian Revolutionary Cinema Avant-Garde\u201d series.<\/p>\n

November 3, Friday, 17:00<\/em><\/strong><\/p>\n

\u201cDeep Hanging Out\u201d presentation by Helmut Batista (Brazil).<\/p>\n

November 3, Friday, 19:00<\/em><\/strong><\/p>\n

\u201cAcoustic Weapons: From the Walls of Jericho to the GitMo Playlist\u201d performance by Sebastian Bayse Sch\u00e4fer (Germany).<\/p>\n

November 4, Saturday, 16:00<\/em><\/strong><\/p>\n

\u201cDread Nought! Fear Not \u2013 in the Age of Anxiety\u201d presentation by Judith Holzer and Marcel Schobel (Germany).<\/p>\n

November 4, Saturday, 19:00<\/em><\/strong><\/p>\n

\u201cThe Fiasco of the World Revolution\u201d lecture by Mikhail Ryklin (Germany).<\/p>\n

November 5, Sunday<\/em><\/strong><\/p>\n

\u201cPirate Cinema and the New Forms of Action Against Politics and Art\u201d talk and screenings by Jan Gerber and Sebastian L\u00fctgert (Germany):<\/p>\n

14:00 <\/em>Revolution 1 (French): Chris Marker, Gaspard Glanz, Ute Holl, Peter Ott, et al.<\/p>\n

17:00<\/em> Revolution 2 (October): Kira Muratova, Peter Cherkasky, Artavazd Peleshian, Ken Jacobs, et al.<\/p>\n

20:00 <\/em>Revolution 3 (Digital): Dzyga Vertov, Alfred Hitchcock, Jean-Luc Godard, Philippe Grandrieux, et al.<\/p>\n

November 7, Tuesday, 14:00<\/em><\/strong><\/p>\n

Experimental radio workshop<\/em>. \u201cMaidan. Walk\u201d audiotour by Picpic (Ukraine).<\/p>\n

November 7, Tuesday, 19:00<\/em><\/strong><\/p>\n

\u201cA Play\u201d performance by Valentyna Petrova (Ukraine) followed by a discussion on the freedom and the authority of speech.<\/p>\n

November 8, Wednesday, 19:00<\/em><\/strong><\/p>\n

Presentation of the Ukrainian translation of \u201cFrames of War: When Is Life Grievable?\u201d book by Judith Butler by Kateryna Mishchenko, Yustyna Kravchuk and Kateryna Sergatskova (Ukraine).<\/p>\n

November 9, Thursday<\/em><\/strong>, <\/em><\/strong>19:00<\/em><\/strong><\/p>\n

Film Screening of \u201cThe Eleventh Year\u201d (1928) by Dzyga Vertov within \u201cUkrainian Revolutionary Cinema Avant-Garde\u201d series.<\/p>\n

November 10, Friday, 17:00<\/em><\/strong><\/p>\n

\u201cFinal Fantasy II \u2013 21 Translations of Purpose in Japanese \u2013 \u559c\u6012\u54c0\u697d Kidoairaku (Joy-Furious-Sadness-Pleasure)\u201d presentation by Hiroshi McDonald Mori (Japan).<\/p>\n

November 10, Friday, 19:00<\/em><\/strong><\/p>\n

Opening of \u201cDance, Dance, Dance\u201d exhibition (curated by Serge Klymko, Ukraine) \u2013 BURSA GALLERY.<\/p>\n

November 11, Saturday, 12:00<\/em><\/strong><\/p>\n

\u201cHealthy Live: Beyond Your Wildest Dreams\u201d music performance by Aleksei Taruts (Russia) in the framework of \u201cDance, Dance, Dance\u201d exhibition \u2013 BURSA GALLERY.<\/p>\n

November 11, Saturday, 13:00<\/em><\/strong><\/p>\n

\u201cmocumenta\u201d presentation of a collective art project at Artists\u2019 Studios at 33 Soshenko.<\/p>\n

November 12, Sunday, 14:00<\/em><\/strong><\/p>\n

Experimental radio workshop<\/em>. \u201cThe Matter of Mendel Beilis\u201d audiotour by Picpic (Ukraine).<\/p>\n

November 12, Sunday, 17:00<\/em><\/strong><\/p>\n

\u201cFrom Parking Space to Park\u201d film screening and discussion by Clara H\u00fcneke (Germany).<\/p>\n

November 12, Sunday, 19:00<\/em><\/strong><\/p>\n

\u201cThe Greek Case and the Murder of Pavlos Fyssas\u201d talk by Ioulia Mermigka (Greece).<\/p>\n

November 13, Monday, <\/em><\/strong>19:00<\/em><\/strong><\/p>\n

Presentation of \u201cDonetsk Syndrome Diagrammatic\u201d project by Paul Chaney (Great Britain).<\/p>\n

November 14, Tuesday, 19:00<\/em><\/strong><\/p>\n

\u201cSnapshots from Future Occupations\u201d talk by Noah Fischer (USA).<\/p>\n

November 16, Thursday, 19:00<\/em><\/strong><\/p>\n

Film Screening of \u201cThe Self-Seeker\u201d (1928) by Mykola Shpykovsky within \u201cUkrainian Revolutionary Cinema Avant-Garde\u201d series.<\/p>\n

November 17, Friday, 19:00<\/em><\/strong><\/p>\n

Film Screening of \u201cNo! No! No!\u201d (2017) and premiere of \u201cArmed and Dangerous\u201d series by Mykola Ridnyi (Ukraine).<\/p>\n

November 18, Saturday, 16:00<\/em><\/strong><\/p>\n

Experimental radio workshop<\/em>. \u201cVideo Action\u201d live performance by Dave Phillips (Switzerland) followed by a talk on sonic activism, sound as a language, humanimalism<\/em> \u2013 Visual Culture Research Center.<\/p>\n

November 18, Saturday, 19:00<\/em><\/strong><\/p>\n

\u201cburn, on fire, alight, inflamed, glow, ablaze, fervent, go up in smoke\u201d lecture performance by Olia Sosnovskaya (Belarus).<\/p>\n

November 19, Sunday<\/em><\/strong><\/p>\n

Experimental radio workshop<\/em><\/p>\n

14:00<\/em> \u201cA Soundwalk on Soundscape and the City\u2019s Rhythms\u201d field recordings workshop by Elia Moretti (Czech Republic).<\/p>\n

18:30<\/em> \u201cTo Listen to a Place\u201d talk on the ecological approach to sound by Elia Moretti (Czech Republic).<\/p>\n

20:30<\/em> \u201cMutations\u201d concert by Dave Phillips (Switzerland).<\/p>\n

November 22, Wednesday, 19:00<\/em><\/strong><\/p>\n

\u201cThe New Internationale: Below and Above the Nation\u201d talk and screening by Lorenzo Marsili (Italy), Oliver Ressler (Austria) and You Mi (China) (in collaboration with Transeuropa Festival 2017, Spain and European Alternatives, France).<\/p>\n

November, 23, Thursday, 16:00<\/em><\/strong><\/p>\n

\u201cA Common Lexicon for Europe\u201d international workshop by Studio 14 and Shedhalle (Greece\/Switzerland\/Italy\/Poland\/Germany).<\/p>\n

November 23, Thursday, 19:00<\/em><\/strong><\/p>\n

Film Screening of \u201cPerekop\u201d (1930) by Ivan Kavaleridze within \u201cUkrainian Revolutionary Cinema Avant-Garde\u201d series.<\/p>\n

November 24, Friday, 19:00<\/em><\/strong><\/p>\n

Presentation of the Ukrainian translation of \u201cOn Tyranny: Twenty Lessons from the Twentieth Century\u201d book by Timothy Snyder by Kateryna Mishchenko and Angelina Kariakina (Ukraine).<\/p>\n

November 25, Saturday, 19:00<\/em><\/strong><\/p>\n

Film Screening of \u201cGlimpse\u201d (2016-17) and artist talk by Artur Zmijewski (Poland).<\/p>\n

November 26, Sunday<\/em><\/strong>, 15:00<\/em><\/strong><\/p>\n

\u201cPetition Against the Death\u201d performance by ORLAN (France).<\/p>\n

The Kyiv International<\/em>\u00a02017<\/em>\u00a0finnisage.<\/p>\n

 <\/p>\n

All events will take place at the Main Site, except where otherwise indicated.<\/em><\/p>\n

 <\/p>\n

Locations:<\/strong><\/p>\n

Main Site: Institute of Scientific, Technical and Economic Information (\u201cUFO\u201d, 180 Antonovycha St., metro Lybidska).<\/p>\n

Visual Culture Research Center (44 Hlybochytska St., trams #14, #18 from metro Kontraktova Ploshcha).<\/p>\n

Zhytniy Market (16 Verkhniy Val St., metro Kontraktova Ploshcha).<\/p>\n

BURSA GALLERY (11-B Kostyantynivska St., metro Kontraktova Ploshcha).<\/p>\n

Pavlo Tychyna Literary-Memorial Museum-Apartment (5 Tereshchenkivska St., ap. 1, 3, metro Teatralna).<\/p>\n

Artists\u2019 Studios at 33 Soshenko (33 Soshenko St., trolley bus #18 from metro Maidan Nezalezhnosti).<\/p>\n

 <\/p>\n

Parallel Program:<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

August 27 \u2013 November 5<\/em><\/strong><\/p>\n

Visual Culture Research Center Institution-in-Residence 2017 at tranzit.cz (Prague, Czech Republic).<\/p>\n

September 28, Thursday, 19:00<\/em><\/strong><\/p>\n

\u201cPolitics of Art in Post-Maidan Ukraine\u201d lecture by Vasyl Cherepanyn (Ukraine) and discussion, moderated by David Quigley (Germany) at Depot (Vienna, Austria).<\/p>\n

October 1, Sunday, 17:00<\/em><\/strong><\/p>\n

\u201cReality, Show\u201d performance by Valentyna Petrova (Ukraine) at Swab Barcelona (Spain).<\/p>\n

October 3, Tuesday, 10:00<\/em><\/strong><\/p>\n

\u201cEurope Facing Populism\u201d conference with the participation of John B. Judis (USA), Marc Crepon (France), Raquel Garrido (France), Rachide Benzine (France), Chantal Delsol (France), Balla Fofana (France), Vasyl Cherepanyn (Ukraine), Marion Fontaine (France), Igor Stokfiszewski (Poland), et al. at Columbia Global Centers | Paris (France).<\/p>\n

October 13, Friday, 18:00<\/em><\/strong><\/p>\n

\u201cUkrainian History as World History: 1917-2017\u201d keynote speech by Timothy Snyder (USA) at Institute for Human Sciences (Vienna, Austria).<\/p>\n

October <\/em><\/strong>15<\/em><\/strong>,<\/em><\/strong> Sunday, 19:00<\/em><\/strong><\/p>\n

\u201cUkraine: \u0421ulture in Conflict II\u201d discussion with the participation of Ivan Krastev (Bulgaria), Vasyl Cherepanyn (Ukraine) and Fleur de Weerd (the Netherlands) at Castrum Peregrini (Amsterdam, the Netherlands).<\/p>\n

October 25, Wednesday, 21:00 \u2013 October 30, Monday<\/em><\/strong><\/p>\n

\u201cWomen’s Texts\u201d exhibition, curated by Oksana Briukhovetska (Ukraine) at Cultural Center Casa del Reloj, within Transeuropa Festival 2017 (Madrid, Spain).<\/p>\n

October 26, Thursday, 18:00<\/em><\/strong><\/p>\n

Guided tour to \u201cWomen’s Texts\u201d exhibition and public talk about feminization of art by Oksana Briukhovetska (Ukraine) at Cultural Center Casa del Reloj, within Transeuropa Festival 2017 (Madrid, Spain).<\/p>\n

October 28, Saturday, 17:00<\/em><\/strong><\/p>\n

\u201cThe New Internationale: Below and Above the Nation\u201d symposium with the participation of You Mi (China), Oliver Ressler (Austria), Vasyl Cherepanyn (Ukraine), Catherine Hug (Switzerland), Luigi de Magistris (Italy), Gesine Schwan (Germany), Ugo Mattei (Italy), et al. at Matadero, within Transeuropa Festival 2017 (Madrid, Spain).<\/p>\n

December 1, Friday, 19:00<\/em><\/strong><\/p>\n

\u201cPeople Who Came to Power\u201d screening and talk by Oleksiy Radynski (Ukraine), moderated by Tom Waibel (Austria) at Depot (Vienna, Austria).<\/p>\n

 <\/p>\n

 <\/p>\n

Organized by Visual Culture Research Center (Kyiv, Ukraine).<\/strong><\/p>\n

 <\/p>\n

Emblem and biennial design<\/b>: Experimental Jetset (Amsterdam, the Netherlands).<\/p>\n

Institutional Partners<\/strong>: Avtonomi Akadimia (Athens, Greece), BURSA GALLERY (Kyiv, Ukraine), Columbia Global Centers | Paris (France), DAAD Artists-in-Berlin Program (Berlin, Germany), De Balie (Amsterdam, the Netherlands), Depo (Istanbul, Turkey), Depot (Vienna, Austria), documenta 14 (Athens\/Kassel, Greece\/Germany), European Alternatives (Paris, France), Forum Transregionale Studien (Berlin, Germany), Hromadske TV (Kyiv, Ukraine), Institute for Human Sciences (Vienna, Austria), Medusa Books (Kyiv, Ukraine), National Oleksandr Dovzhenko Center (Kyiv, Ukraine), Political Critique (Warsaw, Poland), Shedhalle (Zurich, Switzerland), Studio 14 (Athens, Greece), Transeuropa Festival 2017 (Madrid, Spain), tranzit.cz (Prague, Czech Republic).<\/p>\n

Partners<\/strong>: British Council \/ Delegation of the European Union to Ukraine, Charles Stewart Mott Foundation, ERSTE Foundation, European Cultural Foundation, International Renaissance Foundation, Robert Bosch Foundation.<\/p>","protected":false},"excerpt":{"rendered":"

The Kyiv International \u2013 Kyiv Biennial 2017 project aims to explore and reveal the emancipatory potential of the idea of the political International, which emerged in Europe. Today, in the age of structural crisis of global institutions \u2014 when the … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/vcrc.org.ua\/en\/wp-json\/wp\/v2\/pages\/3489"}],"collection":[{"href":"https:\/\/vcrc.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vcrc.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vcrc.org.ua\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vcrc.org.ua\/en\/wp-json\/wp\/v2\/comments?post=3489"}],"version-history":[{"count":29,"href":"https:\/\/vcrc.org.ua\/en\/wp-json\/wp\/v2\/pages\/3489\/revisions"}],"predecessor-version":[{"id":3809,"href":"https:\/\/vcrc.org.ua\/en\/wp-json\/wp\/v2\/pages\/3489\/revisions\/3809"}],"wp:attachment":[{"href":"https:\/\/vcrc.org.ua\/en\/wp-json\/wp\/v2\/media?parent=3489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}