“Olympiada-84 in Donetsk”: exhiition, lectures, plays, excurtions

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 August 13 – 28, 2016

Visual Culture Research Center and Political Critique invite you to the exhibition “Olympiada-84”, starting on Saturday, August 13 at 19:00 at the Visual Culture Research Center and will last until August 28.

During its history sport has never been “just sport”. Instead, it was some sort of a biopolitical “religion” of victory and records, closely intertwined with global economy and politics.

UEFA European Championship, the FIFA World Cup, the summer and winter Olympic Games were long ago turned into events that fundamentally change the infrastructure, landscape, and even the ecology of the cities they are held at. Countries and cities are ready to overspend their own resources just to have the right to host them.

At the same time, mass sports competitions have always been a powerful instrument for shaping collective identities: there is hardly anything that can create such feeling of emotional unity as rooting for “our guys” or, even more, against “the others”, especially during such collective rituals as ‚waves’ rolling through the stadium, or football chants.

All this together poses questions: could the Winter Olympic Games in 1984 have changed something, if they were held in Donetsk? Would have this improved the socio-economical development of the region? Could’ve it influenced the regional identity of Donbass, or would it become the reason for its inclusion to the “nationwide” identity? Finally, could’ve it changed anything in the context of the current war in Eastern Ukraine? Of course, history does not recognize the potential mood, and the imaginary space, fantasies, myths, fake memories, even games are usually regarded as accessory and casual. Putting above the “real historical facts”, we tend to not notice how events, which never became a part of the official history, can influence our present.

Without any doubt, the need to experience in 2016 the “never experienced” 1984 Olympics is symptomatic, and indicates the unconscious yearning for fixing “the mistakes of the past”. Hence the «Olympics-1984 in Donetsk» attempts to think them through working with personal stories of migrants from Eastern Ukraine — of those, whose identity is connected with the collective identity of Donbass. It seeks to understand why, to a certain extent, it was excluded from the “nationwide” identity through the pivotal political and social processes of the 80s on the way to the present political situation in Ukraine.

«Rosegarden» play
When and where: Saturday, 18 August, 2016, 20.00 at PostPlay Theatre (31, Nyzhnoiurkivska Str.)

Based on personal stories of three internally displaced migrants from the Donbass region, the idea of the play with their participation was to confront the official (documented) history, and the personal (oral) stories of certain people, discovering their essential incommensurability. In such context, stories about details, sensations, private rituals and feelings become in a way the opposition of the official history’s pathos, and the state machine producing it.

“Without Armour” play
When and where: Saturday, 27 August, 2016, 20.00 at PostPlay Theatre (31, Nyzhnoiurkivska Str.)

The performance is created upon a personal story and with the assistance of an ATO combatant. Its problematics can be outlined, perhaps, by his own commentary:
“We, the fighters, have a huge problem with self-identification. Who am I now? Am I a soldier or an ex-soldier? Am I the victor or the defeated? — It is not known. It’s impossible to give an unambiguous answer to any of these questions. Am I a military? — Yes, because I have served, and I will do it again, if needed. Am I a winner? — I definitely had a victory over myself. I obtained Ukraine within myself. I’m the winner in this particular aspect. But the society is looking at me with incomprehension: on the one hand, we waited for the victory from you so much, and you didn’t hand it. Or, maybe, on the other hand, I’m the defeated? — Who knows, I was broken and demoralized…”

Tours through M.M.Gryshko National Botanic Garden by Vitalii Kukhar
When and where: 14 and 28 of August, 14.00 at the Botanic Garden

Vitalii Kukhar, who is a migrant, works in the National Botanic Garden as a general labourer, but his main area of responsibility is the rosegarden. Vitalii spends most of his time in the garden, his days off are Saturday and Sunday. He is interested in the history of plants, their uses, the places these species were brought from. The garden becomes from time to time a place, where Vitalii meets his friends and acquaintances, including other migrants, to whom he tells his stories, which intertwine with the history of the garden.

Generation Games
When and where: Wednesday, 24 August 2016, 14.00 at the “Start” stadium

Not being exclusively restricted by the “adult history” of the 80s, the “Olympics-84” project aims to stage the games that were popular amongst children and teenagers of that time, engaging into the circle of experts the representatives of generations whose childhood was in the 70s and the 80s. We invite all children of 6 to 14 years old to participate in order to try out and assess the entertainment of the times of their parents’ childhood.

Lectures program:

Anton Liagusha, «The imaginary Donbass of the 1984 Olympics time: historical tropology, the Soviet feudalism and alienation.» When and where: Sunday, August 14, 19.00 at Visual Culture Research Center.

Kyrylo Tkachenko, «Enthusiasm and disappointment: Donbass miner’s movement from 1988 to 1993.» When and where: Friday, August 19, 19.00 at Visual Culture Research Center.
Danylo Sudyn, «Donetsk citizens’ identities — from Ukraine’s independence declaration to the occupation.» When and where: Saturday, August 20, 19.00 at Visual Culture Research Center.

Oleksii Karachynskyi, «Existential problems caused by the conditions of forced migration and military action.» When and where: Sunday, August 21, 19.00 at Visual Culture Research Center.

Anna Kravets. Visual laboratory. «Olympia: the festival of the cult of body and the Germany’s triumphal springboard on the eve of World War II,» and the screening of Leni Riefenstahl’s «Olympia. Festival of Nations» (1938). When and where: Thursday, August 25, 19.00 at Visual Culture Research Center.

Ruslana Kozienko, «Cultural trauma and the politics of memory: on the edge of the personal and the official.» When and where: Friday, August 26, 19.00 at Visual Culture Research Center.

Taras Liutyi, «Mass sports games and the power.» When and where: Sunday, August 28, 19.00 at Visual Culture Research Center.

Admission is free.

Authors of the project: «Olympics-84» Initiative (Dmytro Levytsky, Yelyzaveta Oliynyk, Piotr Armianovsky, Lesya Berezdetska, Ruslana Kozienko, Oleksandr Burlaka).

«Olympics-84» project is part of CSM / Foundation Center for Contemporary Art and Korydor online magazine «From the First Person: Memory. Voice. Dialogue» program, financed by National Endowment for Democracy (NED).

Автори проекту – ініціатива «Олімпіада-84» (Дмитро Левицький, Єлизавета Олійник, Пьотр Армяновський, Леся Берездецька, Козієнко Руслана, Олександр Бурлака).

Проект є частиною програми CSM / Фундації Центр Сучасного Мистецтва і онлайн-журналу Korydor «Від першої особи: Пам’ять. Голос. Діалог», профінансованої National Endowment for Democracy (NED).

Organizers: «Olympics-84» Initiative, Visual Culture Research Center
Partners: CSM / Foundation Center for Contemporary Art, Korydor magazine

  csm             korydor

National Endowment for Democracy (NED)

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PostPlay Theat

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Інформаційні партнери: Політична критика, Cultprostir.ua, Український кризовий медіа центр

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За підтримки ERSTE Stiftung та Charles Stewart Mott Foundation:
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Контакти:
vcrc@vcrc.org.ua
www.facebook.com/vcrc.org.ua
www.facebook.com/Olympics84
+380639535143 Natalka Neshevets
+380676695457 Ganna Cyba
+380933911525 Ruslana Kozienko

 

 


CRYPTO PARTY. An informal practical workshop

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Thursday, 21 July 2016, 20:00
CRYPTO PARTY

Should we be worried about pervasive Internet surveillance? Do we want to rebuild privacy for your online communications? At the informal practical workshop from CryptoClasses, taking place on July 21 at Visual Culture Research Center, you will learn why you need this and how to do it. CryptoParty will help you develop basic skills in the usage of encrypting technologies, sending private messages to your friends, and putting the electronic signature without the threat of it being intercepted, or read by unauthorized individuals.

The class will be given by eQualit.ie with over a decade experience teaching activists around the world digital security basics and authors of numerous self-learning guides.

Working language – English. Please, bring your laptop and smart phone to the party.

The party will take place within the framework of research workshop On-line Media as a Tool for Grassroots Politics, co-organized by Visual Culture Research Center and Political Critique.

Admission is free

Those interested in supporting future CryptoClass events are invited to come and discuss possibilities.

DSS380 is a permanent school of digital security for advocates, civil activists, NGO representatives, and media in Ukraine.

eQualit.ie develops open and reusable systems with a focus on privacy, online security, and information management. Our goal is to create accessible technology and improve the skill set needed for defending human rights and freedoms in the digital age.

Organizers: eQualit.ie та DSS380
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Sentsov’s Camera. Exhibition at the Museum for Contemporary Art Leipzig (GfZK)

Фото: Мірон Цовнір. Бахчисарай, 2013

Photo: Miron Zownir. Bakhchysarai, 2013.

15.07. – 6.11.2016

In May 2014, the Crimean film director Oleg Sentsov was abducted by the security services of the Russian Federation. He was later arrested, accused of being the organiser of a terrorist group. After a show trial, the artist was sentenced to 20 years in a penal colony, and taken to Yakutia.

The exhibition Sentsov’s Camera takes us back to these events. In essay form, it tells of how conflicts become inscribed in spaces, and how the inhabitants of these spaces suddenly feel that they are prisoners. The story goes beyond Crimea and the Ukrainian borders to other landscapes such as the Isle of Rügen in Germany or the Solovetsky Islands in Russia. Isolation, repressions, militaristic pathos – all of these things shape the history of these places and the biography of the people who are deprived of their freedom. Their home is transformed into a lonely chamber.

In this chamber, the individual is confronted with the blame that has been assigned to him, and with his own self. At the same time he searches for possibilities to break through the enforced silence, to find a new way of articulating.

Sentsov’s Camera is a space for stories and pictures that have to be told and shown. It is also a lens that reveals the internal conflicts of the narrators. The viewer also recognises himself there. Sentsov’s Camera draws places and events closer, giving us the opportunity to adopt a position of our own and to show solidarity.

With: 
Vitalii Atanasov, Günter Brus, Angelina Kariakina, Ksenia Marchenko, Marcel Noack, Diana Poladova, Oleksiy Radynski, Mykola Ridnyi, Sandra Schubert, Mikhail Tolmachev, Ivanna Yakovyna, Artur Żmijewski, Miron Zownir.

Curated by Kateryna Mishchenko

In cooperation with DOK Leipzig and Visual Culture Research Center Kyiv

Within the exhibition’s framework Visual Culture Research Center will organize parallel program in Kyiv.


NEEDS. The first Petr Pavlensky’s talk out of prison


The Violence of the Image. Lecture by Lesia Kulchynska


NEEDS. The first Petr Pavlensky’s talk out of prison

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Sunday, 19 June 2016, 19:00
The first Petr Pavlensky’s talk out of prison
NEEDS

The first public talk out of prison – Needs – will be given by Petr Pavlensky in Ukraine, where he was invited by Hromadske.

Russian artist was released on June 8 as a result of a trial for setting the door of central administration of Russian Federal Security Service on fire. Pavlensky turned his proceedings into a performance making the repressive apparatus work for art.

In his first TV interview out of prison Pavlensky said: “Being in custody, I saw a lot of dignity among prisoners, but also how law enforcement system tries to discipline people working out the habit to obey orders, and they are being disciplined, namely, by needs. This is very important.”

Moderated by Natalia Gumenyuk

Petr Pavlensky is Russian performance artist, author of radical actions in public space. He is an editor of Political Propaganda magazine and publishing house. Lives and works in Saint Petersburg. In February 2014 as part of his Freedom, action dedicated to Ukrainian Revolution of Dignity, Pavlensky reproduced Maidan in Saint Petersburg. In November 2015 he made his Threat performance by setting the door of central administration of Russian Federal Security Service on fire. During the trial he asked to classify his case as “terrorism” to be associated with Crimean political prisoners.

The talk will take place on June 19 at 19:00 in Visual Culture Research Center.

Admission is free

Organizer: Hromadske

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Partners: Visual Culture Research Center

VCRC

Political Critique

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Contacts:

Hromadske

+38 (067) 505-67-40
+38 (067) 505-67-59

Visual Culture Research Center
Kyiv, 44 Hlybochytska Street, 1 floor

+38 (067) 669-54-57 Ganna Tsyba
+38 (063) 953-51-43 Natalka Neshevets


DIYstvo 2016

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Saturday, 28 May 2016, 14:00
30/34 Petrivska Street

DIYstvo 2016

Visual Culture Research Center and Political Critique invite you to the festival of urban self-organization and creativity DIYstvo 2016, taking place on Saturday, May 28 in the territory of a forest and garage co-op at the address 30/34 Petrivska Street.

Taking place annually since 2009, DIYstvo festival engages the most interesting grassroots and activist initiatives from the spheres of urban development, handicraft, printing, and music, as well as other self-organized communities. “Do-it-yourself” is a call for moving beyond the exchange relationships logic and establishing social ties that are basic for mutual help and support. D.I.Y. festivals strive for becoming places of formation and development of self-organized communities, which can solve numerous local, especially urban, problems. This year’s programme involves site-specific work, presentation of local D.I.Y. brands, music, and a series of workshops.

The participative construction UFO DIY project will be conducted for two weeks by Pylorama collective. Its aim is to provide direct access from Lvivska Square to Hlybochytska Sreet, build wooden platforms and stage for studying and relaxation;

Waste sorting and utilization workshop will take place simultaneously with the construction;

Juridical workshop on basic civil rights and communication with law enforcement will take place on the rebuilt festival territory;

At DIY-Print workshop participants will learn different types of hand printing, attend artist’s master classes and exhibition of their latest works;

And on May 26 a co-founder of Pylorama collective Dana Kosmina will deliver a lecture Emergency Architecture as a Response to Destructive Environment and demonstrate basic elements of emergency dwelling.

Programme:

May 17-28
DIY-territory
UFO DIY project – a workshop by Pylorama collective; forest cleaning and ecological workshop on waste sorting

May 26, 19:00
DIY-planning
Dana Kosmina. Emergency Architecture as a Response to Destructive Environment, Visual Culture Research Center (44 Hlybochytska Street, 1 floor)
May 28
12:00 Final forest cleaning
14:00 Festival opening

14:00-19:00
DIY-community
At Pink Whale’s market: local brands and hand-made products, food and drinks
Live workshops by garage co-op
Juridical workshop
Drawing playground for children

15:00-18:00
DIY-print
Experimental and artistic printing section
Exhibition of printed works

16:00-22:00
DIY-music
16:00-22:00 Punk stage
Predsmertnaya Kadril (Kyiv)
Sorta (Homel)
Force events! (Mohyliv)
Murder (Kyiv)
Dity Velykoho Mista (Kyiv)
Thaino! (Kyiv)
The Forest Trip (Kyiv)
Fifty/fifty (Ivano-Frankivsk)

18:00-22:00 Beat stage

Sergey Poh&djDie
Tenio & Friends

Admission and participation are free

Organizers of the festival:

VCRC

Garage Family, Пилорама
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The project is supported by Rosa Luxemburg Stiftung
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Supported by ERSTE Stiftung and Charles Stewart Mott Foundation:
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Contacts:

+380676695457 Ganna Tsyba
+380639535143 Natalka Neshevets
Fb: VCRC


Lecture by Dana Kosmina

Poster DIY

Thursday, 26 May 2016, 19:00
Lecture by Dana Kosmina
Emergency Architecture as a Response to Destructive Environment

Visual Culture Research Center and Political Critique invite you to the lecture by Dana Kosmina, taking place on Thursday, May 26, at 19:00.

The lecture is going to explore local communities, which influence urban processes through micro-architectonic interventions. Participants will learn what “depressive environment” is, who the “passive warriors” are, how much the “tactical urbanism” costs, which methods of “field work” exist, etc. Dana will give a brief analysis of her own and other international projects. Besides theoretical lecture, a joint practical workshop with participation of garage co-op community will be taking place for two weeks.

Dana Kosmina is a cofounder of Pylorama collective, artist and architect. She is a member of Children’s Geographies initiative. She works at Forma Architectural Studio in Kyiv.

DIYstvo is an annual festival of urban self-organization and creativity, taking place on May 26-28, 2016 in Kyiv. The festival aspires to the development of the D.I.Y.-movement and its expansion to other Ukrainian cities. It engages the most interesting grassroots and activist initiatives from the spheres of urban development, handicraft, printing, and music, as well as other self-organized communities. On the programme: urban workshops, site-specific work, silk-screen printing workshops, local D.I.Y.-brands, music. The festival has been taking place since 2009.

Admission is free

The project is supported by Rosa Luxemburg Stiftung
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Supported by ERSRE Stiftung and Charles Stewart Mott Foundation
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Contacts:

+380676695457 Ganna Tsyba
+380639535143 Natalka Neshevets

VCRC


A DEPARTMENT OF THE SCHOOL OF KYIV – KYIV BIENNIAL 2015 IN VIENNA

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May 17-21, 2016
A DEPARTMENT OF THE SCHOOL OF KYIV – KYIV BIENNIAL 2015 IN VIENNA

The School of Kyiv – Kyiv Biennial 2015 (8.09. – 1.11.2015) is an independent project curated by Hedwig Saxenhuber and Georg Schöllhammer (Vienna), conceived and organized together with the Visual Culture Research Center (Kyiv). The School of Kyiv has presented a new format of an art biennial integrating exhibitions and arenas of public reflection. The six departments, Schools, of the biennial still continue their work as collaborative forums. The Departments of The School of Kyiv are open in a number of institutions across Europe as an integral part of the project.

There are several Schools taking place in Vienna now: The School of the Lonesome and The School of the Devil are hosted in May at the Sandleitenhof, The School of the Displaced at municipal libraries and in public spaces, “The School of Kyiv at Kunsthalle Exnergasse” at WUK.

Program:

Performance by Mikhail Koptev and the Orchid Theatre
May 17, 2016, 7 pm
WUK 1090 Vienna, Project Room, Währinger Straße 59

Discussion: Ukraine in Flames: What Can Art Tell after the Revolution?
Participants: Oleksandr Burlaka, Vasyl Cherepanyn, Lesia Khomenko, Serhiy Klymko, Lesia Kulchinska, Anya Medvedeva. Moderated by Maria Teteriuk.
May 18, 2016, 4 pm
Kunsthalle Exnergasse, Währinger Straße 59

Exhibition opening: Into the Dark
Curated by Hudrada
May 18, 2016, 7 pm
May 19-29, 2016, Exhibition / Opening hours: daily 13:00 – 18:00
Kunsthalle Exnergasse, Währinger Straße 59

Performance by Kateryna Mishchenko: Meeting on the Bridge
May 20, 2016, 7 pm
Sandleitenhof, 1160 Vienna, Matteottiplatz 6

Artist talk by David Chichkan: How to Make the Radical Left Art in Ukraine?
May 21, 2016, 5 pm
Kunsthalle Exnergasse, Währinger Straße 59

In-hibition: A Story of Love and Hatred Towards Art. Lecture by Lesia Kulchynska (VCRC)
May 21, 2016, 7 pm
Kunsthalle Exnergasse, Währinger Straße 59

Performance by Night Movement (Anastasiya Ryabova, Varvara Gevorgizova): The Night of the Dead Curator
May 21, 2016, 10 pm
Sandleitenhof, 1160 Vienna, Matteottiplatz 6

Admission is free

Contacts:

+380676695457 Ganna Tsyba
+380639535143 Natalka Neshevets

The School of Kyiv
VCRC


HAPPENING BY VALENTYNA PETROVA

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Friday, 29 April 2016, 19:00

HAPPENING
“A STYLISH AND ELABORATE DINNER PARTY CONSISTING OF
GOURMET DISHES FROM WORLD’S BEST RESTAURANTS
LUXURIOUSLY SERVED AT A REASONABLE PRICE”

BY VALENTYNA PETROVA

Visual Culture Research Center and Political Critique invite you to the happening by Valentyna Petrova, taking place on Friday, April 29, at 19:00.

The artist will present parts of the interactive installation, which are replicas of exclusive dishes, such as ostrich salad in apple-jack sauce, cold scallop julienne with avocado, red caviar, and truffle oil, etc. She will replace the ingredients, needed for the preparation of these dishes, with the masticated bread mush and food colouring. This gesture addresses an issue of poverty, the reverse and grotesque side of which is an aspiration to overconsumption. If you cannot afford desirable goods, you substitute it with the ersatz. The more remote in quality it is from the original, the lesser monetary value it has. Ersatz, substitute, is of no value for those, who are familiar with the original, but those, who cannot even think the original, imagine it as an inherently valuable, desirable, “undisclosed” product. That’s what it is for art, too: at the exhibition for the poor meals, manufactured by the artist, gain the status of art objects. At the same time, the artist realizes that as in art sphere a bread mush reveals one type of exclusiveness, it acquires another one, which can also be questioned.

Nauseating, masticated bread mush reminds us of the monstrosity of poverty itself: it is something we are ashamed of, something unworthy of us. As much as the fear of starvation, sickness, and homelessness disguises the fear of physical body’s death, the fear of poverty is actually the fear of exclusion and social body’s death.

Body liquids sacralize the object only in love, or religion. In her artistic act, the artist tries to reach similar transgression: visitors will be offered to buy and consume dishes, component-biding element of which is her saliva, for a small fee. Artist herself will have dinner with someone from the present, choosing objects directly from the installation. She argues that the ingestion of an art object, will contribute to rethinking of art, which in this case is a situation, process, action.

Valentyna Petrova is an artist, who works with the issues of corporality, precarity, poverty, explores social relations and communities. She was born in Khmelnytskyi, lives and works in Kyiv.

Admission is free

Supported by ERSTE Stiftung та Charles Stewart Mott Foundation:
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Visual Culture Research Center (VCRC) was founded in 2008 as a platform for collaboration between academic, artistic, and activist communities. VCRC is an independent initiative, which is engaged in publishing, artistic activities, research, organization of public lectures, discussions, and conferences. In 2015 Visual Culture Research Center received the European Cultural Foundation’s Princess Margriet Award. Visual Culture Research Center was also an organizer of The School of Kyiv – Kyiv Biennial 2015.

Visual Culture Research Center (44 Hlybochytska Street, 1 floor)

Contacts:

+380676695457 Ganna Tsyba
+380639535143 Natalka Neshevets